Showing posts with label composing. Show all posts
Showing posts with label composing. Show all posts

Sunday, April 12, 2015

Shadows - Recording the drums, bass and keyboards parts - episode 12

Hi everyone!

Today, here are some samples from the studio, before to record the vocals.

I was listening to old unfinished songs of mine, and I thought that this song could be great for "Shadows". I finished it and called it "Reflections". I hope you'll like it:



Bye!

Monday, March 9, 2015

CompoLive - Here's the result !

Hi everyone!

The first CompoLive was last sunday !

After a few checks to know if everyone was able to see and hear me, I used my number generator to pick up a number for the styles, and some instruments, then I started composing the song...

There were 5 people watching this live !
From my side, everything went very fast, I hope that everyone who watched like it.

I only have one regret, I would have liked to add some noises, but I didn't have time...

I really appreciated this live, so I decided to do another one, the 19th of April, on stageit.

You can already send me your propositions !

Here are the propositions I received for the first one:



Thanks to Claire, here are some samples of this live: 



And here's the result on bandcamp: 



See you next week !

Saturday, February 28, 2015

CompoLive - Tomorrow

Hi everyone!

CompoLive will be live tomorrow, at 5 PM, on stageit.

You can already have your tickets on the stageit page.

I set everything up in my studio, I have several keyboards plugged, one microphone ready to record, and the basses and guitars are out, ready to record too...

That will be a show with real studio situation, I will have a mic to talk with you, and when I will be recording, you'll hear exactly the sound I'm hearing too !



For now, I received 16 ideas of instruments, 10 ideas of noises and 12 styles.
That's not much, but you can still send me your ideas until midnight.

I'm sure that will be a nice moment to share with you !
See you tomorrow...

Monday, January 26, 2015

CompoLive - Live is delayed

Hi everyone!

Today I'll talk again about CompoLive.
I've already mentioned this in a previous article.
The idea is to compose a song live, from styles and instruments you have suggested to me.

I announced the project the 3rd of January for a live on February 1st, leaving one month to receive a maximum of ideas.

Today, I have received nothing. No challenges, no live, so I decided to delay the project by a month, hoping this time to receive your challenges.

To be a little more specific that's how the live should be:

- You send me ideas of styles and instruments, or other categories you think interesting and that I didn't think about, I'll see if I can gather some of your ideas in a different category.

- I will put all your challenges in a table with the names of each of you, and a number for each of your proposals.

- I will draw at random a number in each category and ...

... I'll try to compose a short piece of music with those challenges!

Well, if I ask you your ideas for this first time, it is not for any censorship, it is to know what to expect! Depending on how it goes, it is possible that I will not ask you for the next time, and I will ask directly to a person in the virtual room to give me his challenge ...

If you want to know more about it, read the previous article or the dedicated page on my website and contact me.

The event is now on facebook and the StageIt show is created.

StageIt is a streaming platform which allows to create virtual venues. In this case, it will be my studio.


The entry fee in this "room" is free, you can give what you want. Like if you were going to a free show and give money to the artist after or during their performance, you can add a bit of money during the show if you like it and want to encourage me ...

I plan to offer my EP "Shadows on Keys" to 10 biggest contributors.

Now you know everything. If unfortunately, due to lack of entries, we had to cancel, everyone would be refunded by the platform, but it would be a shame to cancel.

See you next week!

Saturday, January 3, 2015

CompoLive - A new project for 2015

Hi everyone!

I wish you all a happy new year !

Today, I tell you about a project I have for several months now, and that I decided to call CompoLive.

Basically, it's a live session on the web, via Stageit, and I will compose a short piece (30s - 1mn) of music based on your ideas.

The first session will be the 1st of february, at 5 PM. This will be a test. That's gonna be really fun. If everything goes right, I plan to do that every months, and I already have some ideas to spice the challenge for the next times !

You'll find some informations on my new website, still under construction for some parts: http://jimmytillier.com/compolive

I'm now waiting for your ideas, and until that, you can watch this short video about it !


See you next week !

Saturday, December 27, 2014

Shadows - Recording the drums, bass and keyboards parts - episode 9

Hello !

Those of who know all the details of the album know that there are 13 songs on it, and you may have noticed that I didn't show you all the recordings...
I keep some of them to make you discover the songs from time to time, like today !

Here's a sample of the recording of the song "The book of destiny", which will be a song with vocals, as soon as I find my singer, that means as soon as a singer replies me...You can see what I have to do to contact singers, without having replies, in the previous articles of my blog...

I hope you'll enjoy that !







See you next week !

Saturday, December 20, 2014

Behind the musics from "The Visitor from the Future"

Hi everyone!

Now that the soundtrack is available on my bandcamp page, I found some videos I shot when I was recording the songs, for the fourth season.

Those of you who follow me on facebook already saw this video of the instruments used in the song "Bienvenue à Neo Versailles":


Now, here's a video of me recording the guitars and bass on the song "Octave", you can even see a part of the sheet music !


Now, here's a video about the sounds used in the song "Les cachots", you'll know which instrument I use to replace a tambourine...


At last, a lot of people love "Dancing Future", the music from the bal, but did you know that it is only a second version ? The first version is called "Dancing Queen", and it's online on bandcamp, you'll recognize some of the sounds used in "Dancing Future", and you'll hear me "singing" !



I hope you enjoyed it ! See you next week !

Monday, December 15, 2014

The Visitor from the Future - Musics from the seaons 3 and four are now online !

Hi everyone!

Today, the musics from the last two seasons of The Visitor from the Future are online !
You can listen to them, and buy them on my bandcamp page.



You can find a lot of informations about them in the article about the musics from the 1st and second second seasons, but here are some other informations:

- The 18 first songs are from the season 3, the others are from season 4.

Season 3:

- "Les Missionnaires - Crédits" is the song used for the end title of the season.

- "Un nouvel ordre" is the song used for the end title of the episode 7.

- In 2012, there was a concert of the musics from the Visitor from the Future, "Les Missionnaires" is the song we played. It was one of the first song I composed for the third season.

- "Le plan des missionnaires" is the song used in the episode 6, at 4:33

- "Le fonctionnement des missionnaires" is the song used in the episode 5 at 6:48

- "Le sacrifice de Judith" is the song used in the episode 8, at 10:55. It uses the theme of the song "Judith", the song I prefer in the third season.

Season 4:

- The end title of each episode is a sample of the end of the song "Tous au portail"

- I composed the song "Les dessins" for the sequence with the T-rex, it's a kind of tribute to the song in Jurassic Parc. We didn't use it in the sequence finally...

- "Requiem pour Judith" is my favourite song of all seasons.

- During the bal, there is 3 songs. I think that the one everyone wants to hear is "Dancing Future". The others are "Ce soir on danse" and "VDF Disco".

- "Démarche finale" is the song used in the episode 10 at 16:25

You now know everything, enjoy it !

Monday, December 1, 2014

The Visitor from the Future - Four seasons of music about to be released !

Hi everyone!

Maybe you saw on instagram or facebook some clues, no we can announce it: you are about to be able to listen and buy the soundtracks for the Visitor from the Future. 

I'm speaking about all the musics, from all seasons.

It starts today, with the release of the soundtrack for the first two seasons. You can find them on my bandcamp page.


Now, let me explain you a lot a things:

First, the first two seasons are separated from the seasons 3 and 4. I composed the soundtrack for the seasons 1&2 before Ankama (which produces the series) was interested. When they decided to make DVD and CDs, they bought me the rights for two years. Now, this contract has ended, I now have all the rights on these musics, and I don't owe anything to Ankama (I prefer to tell you that now, because it has an importance, specially for the price of the soundtracks for the seasons 3&4)...

The soundtrack for the seasons 3&4 will be released later in december, time for us to finish the mastering and create a nice album cover ! We'll keep you informed on the social networks.

For the last seasons, it's a bit different.
Ankama owns the rights to exploit the musics. Considering that nothing happened for a long time, I contacted and negociated with them. Now, I also have the rights on theses musics, that means that I am now able to sell these musics.

That also means that I have to pay everything if I want to exploit these musics.

As you know, I'm actually finishing my album "Shadows". I spend my money and time on that album. Until "Shadows" is released, there won't be physical copies of the seasons 3&4 soundtrack.
That's the same idea concerning a live show (but I can tell that we will play some songs from the Visitor from the Future in the concert of "Shadows").

Speaking about the soundtrack of the seasons 3&4:
It took me 2 weeks of mastering, to have a really better sound and dynamic than what you heard in the episodes !
There are 29 songs, for a total length of 56mn, and yes, there will be the music from the bal, "Dancing Future".
There also the song I prefer in the four seasons: "Requiem pour Judith", I hope you'll like them as much as I do.
The album will be available on my bandcamp page, and priced 15€ (this time, Ankama earns money on these sales).

For questions like: why bandcamp, not iTunes, Deezer?...Please read my article about my EP release.

Be aware that doing all that took me a lot of time. For those of you who listened to the podcast by Jul, I was already talking about it, we were at the end of july ! 
I had some replies and started to negociate only 2 weeks ago. That took me about 5 months, so even if everything isn't perfect, I'm really glad that you can listen and buy those songs !

I think you have all the replies you need, but feel free to ask others in the comments below if you need !

Saturday, November 29, 2014

My real instruments

Hi everyone !

This article completes the one about the virtual instruments that I use.

Here are my real instruments.
I didn't buy all this gear at once. I have several of them for more than 20 years. Time made my collection bigger.
Come people always want to have the last instrument released. If my instrument still sounds great, I keep it ! Most of them are quite old, and selling them wouldn't allow me to buy another one, so I prefer to keep them.

Let's start with my main instruments: keyboards.


The Kurzweil SP2XS isn't my main keyboard, but it's the one with which I did the most of my concerts (something like 150 gigs with it). I now use it in my studio, to give piano lessons. It's the only 88 keys keyboard I have, and it's the one I use every time in the show "Ce soir j'attends Madeleine".


On the left here, there's a Virus Indigo 2, by Access Music, used for synth sounds, monophonic or polyphonic. I used it a lot in the compositions for the music of the Visitor from the Future, season 3 and 4, specially for the "bal" music in the 4th season.

Usually, I use it with the small white expander you can see on the keyboard: a Shruthi 4 pole mission, by Mutable Instruments. It's a monophonic digital synth, with analog filter.

My main keyboard, the one I use on stage when I don't use the SP2XS, is another Kurzweil, the  PC3, a 76 keys keyboard. My opinion is that this keyboard is the most powerful synth nowadays. The Indigo and the Shruthi also are good synths, but the PC3 goes further in terms of effects, polyphony, modularity and realistic sounds.

Above the PC3, there's a Xylosynth, by Wernick Musical Instruments. It's a midi xylophone, that I use as master keyboard for the PC3 or other virtual instruments. I used it a lot when playing with David Keler, but I now use it very rarely. I will probably have the opportunity to use it on stage when playing the songs of my album "Shadows".

Under the PC3, you should see a blue flightcase, it's Beryl, a master keyboard I made, based on a midibox project and doepfer electronics. I don't use it for now, but I wish I have a project to use it again !


That's all for keyboards, I have some others not on picture, mostly master keyboards, that I use on stage, depending of the projects...I also have a toy piano, used on my song "Remembering children's games" from my upcoming album.

Let's talk about my second instrument, the instrument I really love: the bass.

On the left, there's a Ray34CA, by Sterling by Musicman. It's my main bass, the one you'll hear on all the songs of "Shadows", except one.
Next to it, it's a Fretless Jazz bass vintage modified by Squier. I use it when I need a fretless sound, or when the musicman sounds doesn't suit my requirements.
On the right is a Ibanez AEB10 electro acoustic. I used it a lot, but now I often play the musicman. I take it when I go on hollidays or if i go playing with friends who play acoustic guitar. You can hear it on the song "Le visiteur groove" from the 1st season of The Visitor from the Futur.

Guitars:
That's not my main instruments, neither the one I like the most. I have them because sometimes, it's faster and cheaper to record it by myself rather than having a guitar player.
The electric one is a Fender Stratocaster Black top, with 2 humbuckers, and some intermediate positions that I use to have a stratocaster or telecaster sound.
The acoustic is a Taylor Mini SG. I love the sound of that guitar.
If you heard some guitars in my songs, its one of them, except if I don't play it. The electric guitar is used in the songs "Octave" and "Richard" from the season 4 of the VftF. The acoustic guitar has been played by Florent Dorin when we recorded his song "Inside my Heart" for the final episode of the 3rd season.


My drums is Roland HD1. I never used the internal sounds. I use it to control my virtual instruments. I played all the drums part for my album with it. I also have a cajon, and a tambourine. You can see the cajon used in a cover of the Monkey Island theme.

Wind instruments:


There was a podcast about me that Jul released last week. You may now know that I started music by playing the clarinet. Since that, even if I love playing keyboards or bass, I love wind instruments, specially flutes.
Next to my clarinet, you can see a melodica that I don't use as it is very out of tune. Next to it, there are several tin whistles, plastic or metal. There is one in Bb, one in C, three in D, one in Eb. I kept my two recorders from school. You can hear the plastic D one at the end of the fake Frenchball movie trailer !
 I have a Honner chromatic harmonica that I don't really use, because I don't really know how to play it.
Above it are two ocarinas from STL Ocarinas, one is a purple clay simple alto ocarina, the blue one is a plastic triple ocarina.

You now know everything about my instruments !
My next post here will be monday, I will tell you about the release of the digital album for the 2 first seasons of the musics from The Visitor from the Future !

Saturday, November 15, 2014

The virtual instruments that I use

Hi everyone!

Today, I want to talk about the virtual instruments I use in my compositions.

First, although it's not an instrument, my sequencer is Protools 9 (not HD). Although I am currently testing the demo of Reaper, I am quite attached to Protools. This version comes with a few virtual instruments that I use quite often.

Now, let's talk about the instruments:


First, for all general sounds, I use Xpand2, included with Protools. It has a lot of sounds. I use it a lot for synth pads or lead synths, some percussions or ethnic (koto, mandolin ...) I can also use it for bass, before recording a real one.





SYNTHS

If I quickly need a lead synth sound, I also use an instrument included with Protools: Vacuum. It has its own personality, with a very high volume, and it can do some really nice bass synth sounds.

For pads, I use the UVI Workstation with the String Machines bank. I discovered UVI this summer, and I'm now using 2 of their sound banks, I find them very usefull.
I use String Machines for these old polyphonic synths sounds. The sound bank is very complete, and editing functionalities are also great. Almost all pads of my upcoming album "Shadows" were made with this instrument.


PIANOS

For pianos, I use two instruments:
Until very recently, I used almost exclusively MiniGrand, included with Protools. Its doesn't really have any particular personality, but is very good. It is simple to use and quick to load.

A few weeks ago, I bought the bank "Grand Piano Collection" from UVI. That is the piano sound that I use since. The sound bank offers 5 pianos, quite uneven. I mostly use the "Acoustic piano," a sampled Steinway, and the "Upright Grand Piano".

All my EP that I released last week uses the "Acoustic Piano" sound.


ORCHESTRA

For all orchestral instruments, including strings, brass, woodwinds, orchestral percussions, I use Eastwest Symphonic Orchestra, Gold version.


It is this instrument that you can hear in all the orchestral musics of "The Visitor from the Future".
I also widely used taikos from this instrument.

PERCUSSIONS / DRUMS

This is surely where I use most of different instruments.
First, as previously stated, I love the taikos of Symphonic Orchestra and the bass drums.
For the 4th Season of "The Visitor from the Future," and some musics for "Frenchball", I used Stormdrum 3, from Eastwest, mainly for large percussions (such as those that can be heard in the teaser of the 4th season). I also used some small gongs and originals percussions, like the clocks. I love the sound and the visual interface of this instrument.

For electronic drums, I use two instruments:
Boom, included in Protools, allows me to quickly have sounds from old drum machines. It is easy to use and sounds good. I used it a lot each time I needed that kind of sounds (like in the track "Here We Go" from the 1st Season of VftF, "Dancing Future", the famous music of the ball in the 4th season...)

I also use Geist, from Fxpansion. It comes with a library of interesting sounds rather hip-hop and electro. I have not much used it as a drum machine, but I often use it as a sampler.

For acoustic drums, I use Superior Drummer 2.
I have all the sound banks. I mostly use the "Allaire" or "Avatar" banks, but on my album "Shadows", I exclusively use the "Music City" bank. The sound and dynamics are great, the settings are complete, there is everything you need to make great sounding drums!


So long for the virtual instruments, in a future article, I will tell you about the real instruments that I use!

Saturday, October 18, 2014

Frenchball !

Hi everyone!

Today, to change with the articles about my album, I want to talk about compositions I did during the last weeks, between the recordings for my album.

Frenchball is a new youtube channel created by Frenchnerd. François Descraques contacted me a few weeks ago to tell me about it, and he asked me to compose for a few things.

There were two steps.

At first, I worked on 3 music themes for the videos called "Soirées Loose"
François sent me different songs to inspire me in terms of music style, I was free to compose the way I wanted, as long as I was close to that style.
Here are the kind of descriptions François sent me:
"a cool/relax theme for introductions, like a funny tutorial"
"an action theme for some parts with a fast action"
"a party theme like you did with the Bal on the Visitor from the Future,...or in a funny Ska-Punk style"...

What's the result of that ? Here are some videos I did while recordings the last two themes (you'll discover the other one soon in the new videos)


The second part of that work was the trailer video for the channel.
This time, I received the video, with some music in it. Like before, these songs were there to inspire me in terms of style and length.
I composed three songs: one in a jazz style, one in a marching band style, and another one in a orchestral style closer to what I usually do for The Visitor from the Future.

Here are some samples:


Now that you know everything about it, here's the video:

See you next week !

Saturday, August 23, 2014

Shadows - First notes !

Hi everyone!

Everything is ready to record!

This is it. Everything is written, all the sheets are done, all the lyrics, all the melodies...today I start the production of the album.

For the next few weeks, I'm going to record, either my instruments (keyboards, bass and drums) or other instrumentists.

I decided to start using Vine. I discover it today, and I post 3 little vines of one of the songs: "Between clouds".








I hope you like it. I will surely update the blog a little more often during the next weeks, to share with you other recordings !

See you soon.

Saturday, August 16, 2014

Shadows - Sheet music

Hello everyone!

The melodies for the vocals aren't finished yet. I still have four to write. Sheet music for all the other songs are now done.

Why do I edit the sheets, and what do I do ?


At first, I have to say that I only edit the sheets for the strings players. I don't play strings, so the musicians have to know what to do, that's why I edit the sheets.
I will surely edit the sheets for the keyboards, bass and the drums later, but that's not the most important for now.

I composed all the demos in ProTools. The Sibelius software I'm using to edit the sheets is more or less integrated in ProTools.
It's then easy to convert my virtual instruments tracks into sheets that I can edit in Sibelius.


Once I have the notes on screen, my work isn't finished.
On the demos, I set the volumes of each part during the song, in order to hear every instruments at the good volume. I had to write the dynamics of each instrument on the sheet, so each player knows if he has to play loud or not.
It takes time, but it's a time saved in recording and mixing!

Next week, chances are that you will be able to hear some samples...

Saturday, August 9, 2014

Shadows - The album is slowly coming

Hi everyone!

Today's post is about how the things go with the album, to let you know what is done, and what I still have to do.

First, all the lyrics are now written. Next week, I start writing the melodies, so the songs will have their definitive structure (I composed them with extra time, so I could cut them according to the lyrics).

Untill yesterday, almost every song was titled by a number. Now, each song has a title. It's always complicated for me to find a title, specially with instrumental songs. For some of them, it was easy, and for others...I had to think a lot.

You can already try to imagine what the songs will be by reading those titles:

- No memories (with vocals)
- I will light a candle (with vocals)
- Open your eyes (with vocals)
- Shadows (with vocals)
- The book of destiny (with vocals)
- The end of a dream (with vocals)
- Reflections
- Chase the wind
- Crossroads
- Between clouds
- Whirling
- Remembering children's games

These are just the titles, not the order of the tracks on the album.

I'm now waiting for some gear next week, particularly some cables.

And now, here's my schedule for the weeks to come:
- Fisrt, I write the melodies for the lyrics (week of the 11th august)
- I will then edit the sheets for the strings (week of the 11th august and of the 18th august)
- I will then start producing the album, starting by recording my own parts (week of the 18th august). I will surely start to put some extracts of the recordings here this week !
- I'm going to plan the recording sessions for the strings and vocals (if I have a reply from the singer). Ideally, I would start the recordings the week of the 25th.

The first steps of this album are almost finished, I look forward to start giving life to this album !

See you next week !

Saturday, July 26, 2014

Shadows, the album - the built of microphones

Hi everyone!

No news about the musicians this week. I'm still waiting for a reply from the singer.
I know that it's really hard for a french musician to contact musicians from others countries, I know it's mostly because of of musical reputation...I keep my finger crossed, I really want her on the album.
That said, I'm not really in a hurry, I didn't finish to write the lyrics. I plan to finish them next week.

As you know, I will record the album, in my home studio. I needed some gear. A few people know that a few years ago, I created my brand of gear, I built microphones preamps. No one wanted to buy them, but I still have them and use them. They've been used to record some things recently for the music of the fourth season of The Visitor from the Future.

But because I'm working with a lot of virtual instruments, I don't have a lot of microphones. I have 3: one MXL V67i Tube, one Oktava MC12 and one AKG D7.

I think that I'll use 4 to 6 mics for the recordings, I needed to buy gear.


Mainly for money reasons, but also because I have the knowledge, I decided to go DIY. I bought a kit to build a Neumann U87 Vintage Clone, from Mic&Mod. The price was 5 times less than the original, with some very good components, so i was very interested...

I built them in one afternoon. After that, both of them didn't work properly. One had a directivity problem, the other didn't work at all. After two days of schematics analysis, soldering, desoldering, and a transistor replacement, they both worked.


Of course, I soon tested them, and I wanted to compare with real Neumann. I asked my friend Philippe Miro to come and play for me. In the same time, a studio where I work sometimes lent me a Neumann U87i (this is not a vintage version, but it's still a reference).

Here are the results:
Both mics were side by side. I recorded guitar first, then the voice. There are no effects...
For me, the difference between them doesn't worth an extra 2000€.




I'd like to thank Philippe Miro for this little session. You can hear this song on his album "De tout droit à tordu" on all the download platforms.


Obviously, you could tell me that I only added two mics to my gear, but next time, I'll tell you about the two ribbon microphones I built.

See you soon !

Saturday, July 19, 2014

The album - Title

Hi everyone !

It's the end of the OFF festival of Avignon, and almost all the next articles will be about the album.

So, where am I now with this album ?

I finished the composition of the 13 songs that will be on the album.

6 tracks will have some vocals (I started contacting musicians and the singer, I'm now waiting for their replies)

I'm actually writing the lyrics and melodies for the vocals. I plan to finish that by the end of this last week in Avignon.

At the beginning, I didn't want to sign with my name. During the first days, when I started composing the album, I chose a pseudonym. I chose a name which reflected a band name as well as an artist name.

From the beginning, my project was called Orchel (for ORCHestral ELectric). Unfortunately, this name was already used by a company, which didn't want me to use it. I didn't find any other names that I liked, so I sign this album with my name.

I had the album's title for a long time. It's called Shadows.
That doesn't mean that the songs are dark, sad...When I compose, I like to imagine people, worlds, situations, places...
Shadows is for me a way to describe a world you can't see clearly. We are just able to distinguish some shapes, some lights (no shadows without lights), and imagine a lot of things.

The album's cover should be like that, I hope you'll like it.


Next week, I really wish to have good news about the musicians, and I will tell you who they are !

Saturday, July 5, 2014

My mobile studio in Avignon !

Hi everyone !

This month, I'm in Avignon for a festival, to play in the show Ce soir j'attends Madeleine, the same show that was canceled last week because of the rain...

Anyway, we're going to spend a month here, and I'll use the time I have to finish the album, so I had plenty to do.
For this, I managed to create a little mobile studio in the flat.

So I have a master keyboard, which I took with me on the train. My acoustic bass came in by car with the set we have on stage (and my other keyboard too, the one I'll be using on stage every night), and I have a mic, since it is during this month that I'm going to start writing the lyrics and melodies for the sung tracks of the album.
For the drums, I don't have any other choice than to play them via the keyboard.

With that, I also have my sound card, a Motu Ultralight, which, this time, unlike the concert with Clara Neville, is really a sound card, and not an mixer.
I obviously have a headphones, my macbook pro with Protools and my ipad with the software ac-7 core. This software allows me to have access to different functions of protools' controls.

With all that, I can go on working on the album, and believe me, it's nice !

The next post will be about the show Ce soir j'attends Madeleine à Avignon!
See you soon!

Saturday, May 3, 2014

Inspiration

Hello everyone, as I'm finishing composing the 9th track of my album, today it's about inspiration.

How does it come?
If I start here, it's simply because to my ears , inspiration is everywhere. Therefore the question is not finding inspiration, but capturing it.
The purpose of this article is mainly to tell you how I do.

In fact, if my inspiration is everywhere, I am not always sensitive to it. For example, it's impossible for me to create anything in the morning. Fatigue and stress are also situations that don't allow me to be inspired.
To do this, I must succeed in finding a trance state of mind, a moment when my spirit will come off of what is happening, wandering elsewhere.

Personally, ambient light has a lot to do with it. As soon as the ambient light changes , as night falls , or if a big storm comes, something happens. It is mainly for this reason that I work during the night. As I don't want to wait the night to come to start working, I manage to create a light atmosphere by pulling the curtains , closing blinds, and playing with lighting.
From there, I'm usually in optimal conditions to capture inspiration.

The question is now how to capture it.
The experience has made ​​me realize how important it is not to rely on my memory, so I only have two ways to remember what comes: audio and writing.

For writing, no secrets. I have a small Moleskine music notebook, never far from my wallet, to capture potential inspiration when I 'm not home.
At home, it's easier , I have music paper at hand, and I also use a ipad app called Noteshelf, and a stylus. The advantage of this software is that I can choose the paper on which I write, so I can have sheet music to write notes, but also standard pages to write chords or texts.

For audio, it's also very easy. If I 'm not home, I use the voice recorder on my phone, and I sing in it.
If I'm home , my recording software is usually ready to record.

What do I note ?
Usually, this is something I hear. It could be a melody, a chord progression, rhythm, orchestration. Most of the pieces I've made came from an idea that I had when hearing something.
For example, a dialog in a movie could make me imagine a landscape, which can inspire me a melody. In this case, I write the sentence, then what it inspires me ...

Now you know all about my relationship with inspiration. It sounds easy, but it should be mentioned that inspiration can be good or bad, and that even in good conditions to capture inspiration, I threw a lot of music paper, deleted recordings.

I know there are other artists reading this blog, feel free to comment and say how you get inspired.

See you next week !